➡️➡️Learn more about using a higher sample rate here: ➡️➡️Learn more about Music Expo here:
➡️➡️Piper Payne: Mastering Engineer at Infrasonic Sound | Interview:
➡️➡️Recording Live to Vinyl with F. Reid Shippen & Pete Lyman:
➡️➡️Matt Boudreau:
The featured question from today’s video is this: “Am I overthinking that going to a higher sample rate will be better? Should I go back to 48kHz as maybe it’s all you really need?”
In the Academy, we do a lot of stuff in 48kHz because we want to make sure that everyone can download the multitracks whether they have a high-end interface or the cheapest one, or if they do not have an interface at all, but just have their laptop. We want to make sure everyone can download and use the multitracks we offer!
But I have recommended in the past that people record at higher sample rates to future-proof their recordings. After saying this, I had a lot of people saying that everything is going to end up at 44.1kHz and 16-bit, and other people saying that you can’t hear the extra difference anyways.
The reason why I said to do this in order to future-proof recordings is because film and TV often require that recordings be at a much higher sample rate, and before you know it, everything will be 192Khz. So when I say “future-proof”, I mean record in the highest rate that you can, so if somebody likes your song and they want to use it in a film or TV show, you have recorded it at the sample rate and bitrate that they want it to be at. This is a really smart business reason to record at a higher sample rate, because you will be making sure that you can always be competitive and your music can be used in every different format!
Many people make amazing careers out of getting their music used in film and TV, so don’t exclude yourself from that possibility by recording at a rate that does not work for that format!
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